Russian State Symphony Orchestra

Valery Polyansky, Artistic Director and Chief Conductor
Coming to North America this winter
February 8-17, 2020

The Russian State Symphony Orchestra was founded in 1957 within the All-Union Broadcasting System. The orchestra’s first music director was Samosud. Later, such renown conductors as Aranovich, Shostakovich, and Rozhdestvensky were among the orchestra’s artistic directors until the early 90s when Maestro Polyansky took over the position of the artistic director and chief conductor.

At that time, the orchestra was known as the State Symphony Capella of Russia, the organization that also included a very well internationally recognized choral entity – the State Capella of Russia. The merger of these two independently run music organizations always fascinated Maestro Polyansky. It was up to him how to choose the right repertoire for both the orchestra and the choir, something he has been doing very successfully for several decades.
The States Symphony Capella of Russia, also known as the Russian State Symphony Orchestra, ranks among the finest Russian symphony orchestras of the 21st century. The Orchestra is a frequent visitor of numerous international festivals in European countries and the Far East. Their recent tours have taken place in Great Britain, Switzerland, Germany, Italy, Croatia, South Korea, Taiwan and Japan. One of the music critics of “The Star” in Great Britain wrote: “While listening to the music conducted by Maestro Polyansky, one starts thinking whether there is a limit to perfection”. “The Symphonies by Tchaikovsky and Rachmaninoff performed by the orchestra became a model of the highly respected tradition of interpretation and performance”, – Corriere Della Sera of Italy noted.

The Russian State Symphony Orchestra concerts mark strict performing discipline, flexibility of phrasing, rich and warm sound, nobility of expression, and skillfully balanced sound of orchestral groups. Another aspect marked in reviews is a close creative unity and mutual understanding between the orchestra and conductor, making it possible to realize most interesting and sophisticated artistic concepts. The orchestra’s upcoming seasons will feature major international tours to Europe, the United States, and Japan.


Valery Polyansky was born in 1949 in Moscow. When he graduated from a musical college, young Polyansky was accepted into the Moscow Conservatory to study choral conducting with Professor Kulikov. At that time, Polyansky’s conducting interests went far beyond his basic specialty. He was always very fascinated by both sounds of a chorus, as well as orchestra. He decided to undertake the studies of choral conducting together with symphonic conducting. His conducting teacher was a well-known musician, O. Dimitriadi. And later, Polyansky was fortunate to meet Maestro Gennady Rozhdestvensky, who became not only his teacher, but a very close friend. “By the way, we’ve always been on good terms ever since”, Valery Polyansky used to say in his interviews.

While being a student, Valeri Polyansky works in the Operetta Theatre, where he conducts the hole main repertoire. In 1977 he is invited as a conductor to Bolshoi Theatre, where together with Gennady Rozhdestvensky he participates in the production of Shostakovich’s opera “Katerina Izmailova”, he also leads other performances. At the head of the State Chamber Choir, Valeri Polyansky at the same time productively works with the leading symphonic collectives here and abroad. He had heterogeneous performances with orchestras of Belarus, Iceland, Finland, Taiwan, Turkey, Germany, Holland… He realized the production of I.P. Tchaikovsky’s opera “Eugene Onegin” at the Gotheuburg Musical Theatre (Sweden). During several years he was a chief conductor of the “Opera Nights” festival in Gotheuborg. Since 1992 he is a chief conductor and artistic director of the State Symphony Capella of Russia which consists of symphonic orchestra and a choir, numbering more than 200 artists.

According to media, Polyansky in his creative practice shows a rare example of musician who combines skillful technique of choral and symphonic conducting, which allows him to guide enormous musical bodies of various compositions.

As for Polyansky’s work capacity, one can only make legends about it. His everyday working schedule looks approximately like this: first half of the day is dedicated to work with the Orchestra, second to the Choir and soloists; meanwhile, he somehow finds time to learn new scores, and to broaden his own professional outlook. “Bright, extremely artistic musician, flawless professional, fine and distinctive interpreter” – that is Polyansky’s description of well-known music and art critic M. Ryzarev. And no exaggeration in these words… In repertoire of the Capella headed by Polyansky there are works of different stylistic trends and currents in world musical art. Baroque, classics, Romanticism, Impressionism, compositions of modern authors of our century – all these is somehow or other represented in the Capella’s programs. And in all cases, as music critics emphasize, musicians led by Polyansky succeed in achieving accuracy and clearness of style, they remain faithful to the spirit and letter of the composition they perform.

Polyansky has made a great number of musical recordings with the leading sound recording firms here in Russia and abroad. Among them are compositions of Tchaikovsky, Taneyev, Glazunov, Skryabin, Bruckner, Dvorak, Reger, Prokofiev, Schostakovich and many others. It’s difficult to give a priority to something in the spread discography of Polyansky and of the Russian State Symphony of Russia. Polyansky has also recorded all symphonic and choral compositions of Rachmaninoff, and the 8 th Symphony of A. Schnittke, issued by English firm Chandos Records in 2001. That recording was recognized as the “Best recording of the year”. The sound recording art is a special art. Far from all artists, even those successfully showing their worth on the concert scene, fully own it. Not all performers are self-confident in the atmosphere of the studio. Valeri Polyansky is a universal artist in this respect. That is why the CDs widely spread all over the world.



Soloist Websites:
Polina Osetinskaya, Piano (2/9, 2/13, 2/16, 2/17)
Pavel Nersessian, Piano (2/10)

February 8, 2020 – 7:30 pm
Venue: Lewis Auditorium, 14 Granada Street, St. Augustine, FL 32084

Glinka: Ruslan & Ludmila Overture
Rimsky-Korsakov: Capriccio Espagnol
Borodin: Polovisian Dances
Tchaikovsky: Polonaise from Evgeni Onegin
Tchaikovsky: Symphony #4

February 9 – 3:00 pm
Venue: Peabody Auditorium, 600 Auditorium Bld., Daytona Beach, FL 32118

Glinka – Ruslan & Ludmila Overture
Schumann – Piano Concerto in A minor, Op. 54, Polina Osetinskaya, Soloist
Rachmaninoff – Symphony #3 in A minor, Op. 44

February 10 – 7:30 pm
Venue: Barbara Mann Performing Arts Center, Ft. Myers, FL 33902

Glinka – Ruslan & Ludmila Overture
Grieg – Piano Concerto in A minor, Op. 16, Pavel Nersessian, Soloist
Tchaikovsky – Symphony #4

February 11 – 8:00 pm
Venue – Ocean Reef Cultural Center, 200 Anchor Drive, Key Largo, FL 33037

Soloists:  Ludmila Kuznetsova – Mezzo Soprano; Ruslan Rozyev – Baritone)
Evgenii Alimov – Trumpet Soloist

Glinka – Overture from Ruslan & Ludmila
Tchaikovsky – Overture from Queen of Spades / Tomsky’s Ballad (Ruslan Rozyev, Soloist) / Countess Aria (Ludmila Kuznetsova, Soloist)Rimsky-Korsakov – Overture from Tsar’s Bride. Duet of Tsar’s Bride (Ludmila Kuznetsova & Ruslan Rozyev)
Tchaikovsky – Polonaise from Eugene Onegin. Prince Gremin’s Aria (Ruslan Rozyev, Soloist)
Verdi – Overture from Forza del Destino.
Verdi – Il Trovatore,Azuchena’s tale (Ludmila Kuznetsova, Soloist)
Verdi – Falstaff, Falstaff Aria (Ruslan Rozyev, Soloist)
Cacchini – Ave Maria for female voice & trumpet (Ludmila Kuznetsova, Soloist; Evgenii Alimov, Trumpet Soloist)
Rossini – Barber of Seville Overture

February 13 – 7:30 pm
Venue – Community Church, 1901 23rd Street, Vero Beach, FL

Glinka: Ruslan & Ludmila Overture
Grieg – Piano Concerto in A minor, Op. 16, Polina Osetinskaya, Soloist
Rachmaninoff – Symphony #3 in A minor, Op. 44

February 14 – 7:30 pm
Venue – Gretchen Nelson Scott Fine Arts Center, Mosley High School, 501 Mosley Drive, Lynn Haven, FL 32401

Glinka: Ruslan & Ludmyla Overture
Rimsky-Korsakov: Capriccio Espagnol
Borodin: Polovisian Dances
Tchaikovsky: Polonaise from Evgeni Onegin
Tchaikovsky: Symphony #4

February 16 – 7:00 pm
Venue – Au-Rene Theater at the Broward Center for the Performing Arts, 201 Southwest 5th Avenue, Ft. Lauderdale, FL 33312

Glinka – Ruslan & Ludmila Overture
Grieg – Piano Concerto in A minor, Op. 16, Polina Osetinskaya, Soloist
Rachmaninoff – Symphony #3 in A minor, Op. 44

February 17 – 2:00 pm
Venue – Alexander W. Dreyfoos Concert Hall, 701 Okeechobee Bld., West Palm Beach, Fl 33401

Tchaikovsky: Marche slave in B-flat minor, Op. 31
Schumann: Piano Concerto in A minor, Op. 54, Polina Osetinskaya, Soloist
Tchaikovsky: Symphony No. 5 in E minor, Op. 64

Orchestra & Soloists’ Photos
Technical Rider (click to download)

Stage Setup (click to download)


What international press said about the Russian State Symphony Orchestra:

Polyansky and his orchestra captured the heart of demanding audience by its emotionally tense, passionate performing. Never before did our listeners demand an encore with such insistence and admiration. – “Merano”, Italy

The feeling of creative unity and artistic harmony were perhaps the most amazing of the concert performance of the Orchestra, headed by Valery Polyansky. – “Balver Lokalteil”, Deutschland

Music sparkled and glittered in the magnificent performing of musicians from Moscow…Artists’ eyes were fixed on Polyansky, and the complete understanding was felt among them… The Choir and the Orchestra achieved an exceptional blend of sounding , now tender, now powerful, but always vivid coloring… – “Le Monde”, France

Valery Polyansky high res